harmonic series is a digital magazine for adventurous music, especially at the interfaces of classical and jazz and noise. Each issue is intended to include:

  • a transcribed interview, guest essay, or other larger feature;

  • a smaller rotating feature like annotations, which samples non-standard notation in the spirit of John Cage & Alison Knowles’ Notations and Theresa Sauer’s Notations 21; and

  • reviews, unranked and unrated, with an emphasis on recently released recordings of music.

If you want thoughtful engagement with contemporary practices in abstract sound delivered to your email inbox on the first of every month, consider subscribing.

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Please feel free to contact us, even just to chat about music, at harmonicseries21@gmail.com. Feedback is welcome.

If you’re as tickled as we are about what we do, please consider sharing it with others.

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If you appreciate our efforts, please consider donating. Your contributions support not only the writers but the musicians that make it possible. For all monthly income received, harmonic series retains 20% for operating costs, equally distributes 40% to the participating writing team, and distributes 40% to contributing musicmakers (of this, 40% to interviewee or guest essayist, 30% to rotating feature contributor, and 30% equally to those that apprised us of their project that we reviewed). For the nitty gritty of this system, please read the editorial here. Disclaimer: harmonic series LLC is not a non-profit organization, as such donations are not tax-deductible.

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regular contributors

Ellie Kerry | Twitter

Connor Kurtz | After Silence

Keith Prosk | Twitter

Gil Sansón

resource roll

After Silence | commentary- & mix-based podcast

Avant Music News | newsfeed

Bandcamp Daily Contemporary Classical & Experimental & Jazz | reviews

B-Journal | periodical for writing, sometimes scores

Boring Like A Drill | reviews

Catalytic Sound Quarterly | features, essays, etc.

Complete Communion | reviews

crow with no mouth | blog, reviews, interviews

Deep Listening: A Composer’s Sound Practice

Dusted | reviews

Ear | Wave | Event | periodical creative and critical

endaural | new releases

erstwords | blog

esoteros | reviews

The Experimental Music Yearbook | composition & performance approaches, notation

Fluxus Performance Workbook

Foxy Digitalis | reviews, interviews, mixes, more

The Free Jazz Collective | reviews, interviews, features

Graphème | print publication for alternative notation

Graphic Scores & Musical Post-Literacy

IM-OS | periodical for open scores

ISSUE Project Room archives | performances

Just Outside | reviews, blog

Lateral Addition | sound-based intermedia

The Light of Lost Words | blog


mumei | print publication for scores

Nameless Sound: 20 Years of Sound | performances & reflections

News from the Shed | interviews

Night After Night | new releases


On the Sensations of Tone as a Physiological Basis for the Theory of Music

OPTION | performances & interviews

Organ Grinder | reviews

Point of Departure | journal, columns, reviews, interviews

Rare Frequency | radio

Recordedness | interviews

The Renfusa Revue | radio

The Road to Sound | reviews, premieres, features

Signifying Something | interview-based podcast

Sound American | periodical, essays

The Squid’s Ear | reviews

surround | periodical

Tactile Paths | Christopher A. Williams’ dissertation on open scores

Tone Glow | interviews, reviews, features

tone science | radio

UbuWeb Sound | recordings

vital weekly | new releases

The Work of Art in the Age of Its Technological Reproducibility

Terms of Use | Privacy Policy

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a digital magazine for adventurous music featuring interviews, notations, and reviews